Hyphen stencil typeface

Design: Tabaramounien design graphique
Engineering: Romain Marc

Re Création Contemporaine

This publication was produced as part of a thesis project at the Campus Fonderie de l'Image (France). This edition questions the different creative processes that are anchored in an extension of the history of typography by allowing its conservation, through the ages, by adapting old typographic characters or by larger creations that refer directly to a current. 170 × 246 mm
128 pages
Cover 250gr/m2
Paper 80gr/m2
Glued square back
Fluorescent orange jaspage

Prad'a typeface

Design: Tabaramounien design graphique et Guillaume Ruiz
Engineering: Romain Marc

Generated display

Typographic specimen made for the diploma project À la recherche. made with Antoine Jarno and Aurélien Brigaud.
This typographic specimen presents the generated display typography, the revival of a typography generated by artificial intelligence.
Format: 25.4 × 25.4 mm
212 pages
Paper 80g/m2
Glued square back

PRAd'A

The PRAd'A (Palmarès rédional d'architecture en nouvelle-aquitaine) is a prize list aimed at rewarding architectural creations in the nouvelle-aquitaine region. The identity of this award is inspired by the classification into different categories: S, M, L, XL. It is based on adaptability, games of scale and construction revolving around a variable typography comprising 3 weights and 3 widths, thus offering a vast playground for the composition.
Design: Tabaramounien and Guillaume Ruiz
Development: Romain Marc
© Ivan Mathie, Arthur Péquin

Burner institute

Burner institute is a project of a fictitious persona of a protagonist, banker by day and graffiti artist by night. The realization of the specimens makes it possible to confront these two worlds, in a first time by the typography, drawn on thermosensitive paper using a lighter. In the second instance, through the invented typographic specimens.
The posters take up the codes and composition grids of the old bank titles, the parchment takes up the texts of the global security law.
With: Antoine Jarno, Aurélien Brigaud and Corentin Echivar
Posters: 1200 × 800 mm
Parchment: 210 × 8300 mm

La supérette

Established between 2011 and 2019 in the Bordeaux radio landscape, La Supérette has offered a wide range of so-called electronic music where eras and genres mix without convention.
Obscure musical niches, fallen artists or flashy novelties, each track is chosen with the greatest care. The Tabaramounian studio has accompanied the team of this radioshow graphically for several years.
The creation of the typeface is inspired by the titles used for this purpose.
Design: Tabaramounien
Development: Romain Marc

Wikipédia

Wikipedia, how to translate the transition from a web encyclopedia to a printed encyclopedia.
Glued square back
96 pages
150x250mm
Digital printing

Garbo

Display typeface inspired by Art Deco period and his architecture.
Design: Tabaramounien
Development: Romain Marc

Paris/Bordeaux

Creation of a typography summarising GPS instructions by transcribing them into code. Deployment of the logic on the Paris-Bordeaux route in an edition. Workshop carried out at the Fonderie de l'Image Campus, under the supervision of Simon Renaud and Ariane Dubois. Produced in collaboration with Antoine Jarno and Aurélien Brigaud.
240 × 360mm
72 pages
Matte paper 90gr/m2
Offset 300gr/m2
Glued square back

Ostensible

Ostensible is an editorial design project, the principle of a collection dealing with the question of brutalism in architecture. This edition is composed of three issues, each dealing with a different subject and forming a common object.
The first issue of the series explores the subject of materials and more particularly reinforced concrete, the second issue is a biography of the famous architect Le Corbusier, the third issue presents different achievements of the architect and his evolution in styles.
The three books are collected in a concrete box produced by @ofthebridge for the occasion.
180 × 240 mm
210 pages
160gr/m2 paper
Sewn square back